The decline of the working musician

newyorker.com

168 points by tintinnabula 8 months ago


jaco6 - 8 months ago

This is a technology problem. Media technology (radio, recordings, television, and movies) has essentially killed live performance of all kind compared to what it was once like. Bars and hotels that used to rely on gig musicians can now play a Spotify playlist over the speakers. Repertory theatres once existed in every small and medium sized city in the country, each supporting several actors earning salaries sufficient to raise a family—all wiped out by television.

It would have once been unthinkable for even a small city of <=100,000 people to lack multiple live entertainment options 7 days a week. No more—we’re all at home, watching our particular chosen thing, listening to our particular chosen album, playing our own chosen game.

Some will claim this has been an advancement. “How lame,” they say, “it must have been to have to go to the Local Entertainment Venue and just listen to whatever act was on that night. Nowadays I can listen to Acid Techno Super Hop, my particular chosen favorite, as much as I want.” But the losses in communal behavior have been significant. Most critical is the disappearance of dance. Dance is a fundamental human behavior, stretching back to Paleolithic times. It is nowhere to be seen in many cities today, because no one has any occasion to do it except weddings, at which it is very common now to stand around awkwardly after the bride and groom have fumbled through some rehearsed step.